Dead in the Family
Instead of reviewing the latest book in the Sookie Stackhouse series, I prefer to gossip about it. Beware of spoilers.
Instead of reviewing the latest book in the Sookie Stackhouse series, I prefer to gossip about it. Beware of spoilers.
I fell for Grammar Girl's podcasts, especially those that vindicate and explain my grammar (usage) pet peeves. One example is end punctuation and quotation marks. In America, they generally go on the inside, in case you were wondering. The "Why Are British English and American English Different?" episode explains it. Scroll down to "Typesetters Quotations Versus Logical Quotations." Like Fogarty, I think the American way is illogical, but it's how we do it here, and I get annoyed when I see people doing it wrong. Same with Anglophile spellings. So annoying!
I consider it my calling to dispel the myth that it's against the rules to split infinitives. It's fine to split infinitives, and sometimes, I split them when I don't have to just to maliciously make a point. p.56
This book got me to wondering about the Ls, who moved in down the street from me when I was a kid. They were from Chile, but I have no idea if they fled oppression or sneaked out with their money. Probably the former, given the timing, but I think my parents didn't like them, so I don't know. Anyway, this book is written mostly from the point of view of the son of a Chilean political prisoner. While the father, Marcelo, was being tortured in jail, his wife, eleven-year-old son Daniel, and eight-year-old daughter Tina emigrated to Madison, Wisconsin. Eventually the family is reunited, but Marcelo is very broken. At seventeen Daniel is doing pretty well; he has a girlfriend, excels at soccer, and plays guitar in a band. His sister isn't thriving quite as handily, and I'm not sure about Mamá.
The Chelsea was like a doll's house in the Twilight Zone, with a hundred rooms, each a small universe. I wandered the halls seeking its spirits, dead or alive. My adventures were mildly mischievous, tapping open a door slightly ajar and getting a glimpse of Virgil Thomson's grand piano, or loitering before the nameplate of Arthur C. Clarke, hoping he might suddenly emerge. Occasionally I would bump into Gert Schiff, the German scholar, armed with volumes of Picasso, or Viva in Eau Sauvage. Everyone had something to offer and nobody appeared to have any money. Even the successful seemed to have just enough to live like extravagant bums. p.112
I remember being kind of cool to this Judy Blume book as a kid, but I might have been too old for it the first time I read it. Reading it now I have a greater appreciation for its portrait of a 10-year-old Jewish girl from New Jersey in post-World War II America. Sally is kind of dumb or naive, which is probably another reason I wasn't crazy about her as a kid, but as an adult I'm not quite as bothered. What really appeals to me is how Blume portrays the future writer, not by having her write a bunch in her diary, but by sharing her imaginative inner life. Blume identifies this as her most autobiographical work, which makes total sense to me.
I don't usually read books in translation, cuz I'm weird like that, but since Lisa Von Drasek recommended it highly and gave me a free copy I figured I could give it a shot. I couldn't stand the last German tween book I started (I can't remember what it was called, just that Siu Loong is a big fan), but luckily The Princess Plot didn't drag or insult my intelligence. There were times where I thought it took the characters forever to get what was obviously going on, but maybe that's a tween thing, rather than a generalization it's fair to make about German YA lit based on two samples, only one of which I read through! Anyway, the 14-year-old princess in question is in hiding from her uncle's regency government after the death of her father. A lookalike, our protagonist, is brought in to replace her. The nation of Scandia has some complex problems, and I appreciated the author's nuanced portrait of the rebel leader. Although I did at some points find the characters a little immature, the plot and themes are fairly sophisticated.
I was not engaged in the fat envelope frenzy myself, which in retrospect I think is a little sad. I wish I'd worked harder in high school, and had people supporting and encouraging me, and better Guidance. (If they'd told me to fill out one freakin' form, I could have had a scholarship, but because I was in a vocational program--performing arts--I missed the college prep sessions. That's pretty bad, right? Granted more of us kids in the arts that rode the tech bus were probably headed to college than those going to auto mechanics and cosmetology programs, but there's a bit of a chicken and egg argument to be made.) I probably ended up in the right place for what I needed--smallish school, college town, but sometimes I wonder... My nephew made a comment when he was a high school senior that it doesn't matter/schools are all the same, or some such thing. I hated to burst his bubble, but that is simply not true. I think all schools have different things to offer, not so much that they're better or worse than one another. But it's easy for me to speak about college admission from the distance of twenty plus years after writing my applications.
I snapped this book up when I encountered it I don't know where because it merges guilty pleasure and scholarly writing. Many of the essays balance the two well, but some are a little inaccessible. As with most edited volumes I skimmed or outright skipped a few entries. There is a common through line of Nancy the dull ice doll who while she didn't deserve to be clubbed she wasn't much deserving of all the accolades and endorsements she received either, vs. Tonya the admittedly troubled scrappy heroine who done her competitor wrong but sadly did not achieve her full potential.
I was pleasantly surprised to see among the contributors Abigail Feder (now Feder-Kane), Barnard's Director of Institutional Support. Her essay "A Radiant Smile from the Lovely Lady" Overdetermined Femininity in "Ladies" Figure Skating is one of the most compelling in the volume.
Whew! This one went by quickly. Well that's partially because I had to finish it before taking off for the US Social Forum in Detroit. It's a new book, so I couldn't renew it, and it's due before I'll get back. Anyway, it's the continuing saga of Cincinnati witch Rachel Morgan and her partners Jenks, a pixy; and Ivy, a vampire as they fend off coven witches, powerful elves, and greedy fairies trying to fuck with them.
It's totally weird that I would even read this book having been through neither fertility treatments or postpartum depression, but my sister the hospital social worker mentioned it, and I figured what the hell. A few pages I was afraid that the whole thing would be kind of shallow and self-involved, but I persevered because it was a compelling read even if it was a little celebrityish. Once Shields gets into the meat of her difficulty getting pregnant and then the devastating depression that set in almost immediately after the birth of her daughter, you really feel for her. Honestly I can't criticize this book because even with all her privilege, Shields comes off like a zine writer, bravely examining and sharing her most personal and painful secrets. She really did a good thing writing this book, and I'm sure it's helped a lot of people.