Maus: a Survivor's Tale, Part II: And Here My Troubles Began
The second part of Maus is even more moving than the first.
The second part of Maus is even more moving than the first.
Here is a brief report back on the NY Art Book Fair Conference at which Alycia Sellie, Susan Thomas and I presented.
In case anyone cares, or maybe just for the record, I'm on a part-time sabbatical this year. I had the option of taking six months off completely or a year off part-time. PT seemed the wiser choice, productivity-wise. Plus we're in transition at Barnard--the College and the Library, so being around a couple days a week seemed like a good idea.
Sometimes when I'm not excited by the book I'm reading, I can't help but grab something I know I like from my bookshelf. This time is was Maus, Art Spiegelman's graphic biography of his parents' life and times in Poland preceding and during Hitler's reign. The book also tells of Spiegelman's relationship with his difficult father.
I don't know whether to identify this book as a memoir or autobiography. By the title, you'd think it was coming of age in college story, and it's definitely not that. Kathleen Norris writes mostly about her early, post-virgin 20s working at the Academy of American Poets under the direction of Betty Kray. Kray is definitely a subject worth reading and writing about, but I have to admit I was a little annoyed throughout the book that it didn't really deliver what I expected. I should probably get over that.
Betty intended that one of the functions of the Poets House library would be 'to gather fugitive materials such as [small-press books], magazines, chapbooks, and other ephemeral publications,' without which poets and scholars would find it "impossible to re-create the sense of a literary epoch." p.177
This week on LCSH Watch:
Mary Kosut's SUNY Purchase class
It seems Slideshare messes with my Drupal stylesheet, and since I don't have it in me right now to figure out why, I'll just give y'all the link to my slideshow instead of embedding it.