Zine Librarianship as Critical Practice
I'm presenting at Syracuse University on critical practice in the academy.
I'm presenting at Syracuse University on critical practice in the academy.
I'm participating in an event at PS1 on Sunday, April 1, 2018. Here's what I've got planned.
I'm also having a public conversation with Brett from GenderFail.
I'm on the Zines as Creative Resistance panel at the CUNY Graduate Center. I have 3-5 minutes to introduce myself.
It me:
Zine Content Comparison
Introduction
As the curator and cataloger of a zine library with holdings going back to the early 1990s I am sometimes asked to comment on how zines have changed over time. I read and catalog zines out of time, as they rise to the top of the processing queue, which makes it hard to respond to that question with confidence, though I have my theories. My suspicion is that zine creators in the 1990s wrote more about sexual assault and critiqued capitalist systems of oppression more than their 2010s counterparts, who are more likely to write about mental health and friendship. My informed assumptions extend to the visual elements of the works, with 1990s creators working primarily, even exclusively, in black and white photocopies with photographs, reproduced zine ads, hand drawings, and riot grrrl fliers, as opposed to more sophisticated reprography, desktop publishing (InDesign, rather than Publisher or analog cut and paste).