ACRL Preconference Unconference photographs
I just posted my (really Eric's) photos from the Radical Reference ACRL Preconference Unconference.
I just posted my (really Eric's) photos from the Radical Reference ACRL Preconference Unconference.
Heather Davis led a discussion on Zine Preservation—mostly theory, but a good bit of practice, as well. Alycia Sellie's Zine Anatomy was a show and tell and discuss on some of the different art techniques used in zine making.
The idea behind this session was to explore several different online tools for possible use as a shared catalog, where zine libraries of all types should upload records and holdings data, sort of, as we ended up calling it in the workshop, a "non-evil OCLC for zines." Whoever the official note taker was for the session will post to the (un)conference wiki.
The first session I attended at the Zine Librarians (un)Conference was about how zine libraries serve the zine making community, as opposed to how we serve historians and the general reading public. We specifically asked non-librarian zine makers to attend this conference in order to get their feedback on how we're doing and what we could do better.
Members of Radical Reference (i.e. Lia and me) organized a free unconference to precede the Association of College and Research Libraries biennial conference. About a dozen attendees met for four and a half hours and discussed critical pedagogy, what it means to be a radical librarian, and workplace issues and also conducted a 45-minute work session where we cleared the Radical Reference site of its unanswered questions.
For those attending the Association of College and Research Libraries conference in Seattle, and those who live in/near Seattle...
Check out our first online only zine reviews column in Library Journal. This column is dedicated to long-running serial zines. Included are Brainscan, Doris, The East Village Inky, Fish with Legs, and Ker-bloom!
I wasn't going to read another paranormal fiction book so soon after the last two, but I really like the Kitty series and had been waiting a while for this installment to appear in my public library catalog. When it finally did, I place a hold, and when my hold arrived, I of course, in the name of being a good library patron, snapped it up. But I wonder what's taking them so long to get the next installment listed as on order in LEO. (ZOMG, I love that the link from Carrie Vaughn's website takes you to her local independent bookstore, the Tattered Cover! I believe TC was the driver of the independent bookstores lawsuit against Barnes and Noble.)
First of all I love that Allison published this 1994 collection of essays with Firebrand Books, a feminist and lesbian press, rather than a large publisher, which surely she could have, based on the success of Bastard out of Carolina, published by Dutton in 1992. Instead of using her success, even to have a better platform for her message to advance her career, she used it to advance her community, to give back to the press that gave her a platform in the first place, with her first book, Trash. (A chapbook of poetry preceded Trash.)
I use the word queer to mean more than lesbian. Since I first used it in 1980 I have always meant it to imply that I am not only a lesbian but a transgressive lesbian--femme, masochist, as sexually aggressive as the women I seek out, and as pornographic in my imagination and sexual activities as the heterosexual hegemony has ever believed. "A Question of Class." p. 23
I'd recognized in her face the same look I'd been seeing in other women's faces for all the months since the Barnard Conference on Sexuality (which my friends and I referred to as the Barnard Sex Scandal)--a look of fascination, contempt, and extreme discomfort. "Public Silence, Private Terror." p. 101-02
What will they think twenty years from now of the oral histories of the passing women on file at the Lesbian Herstory Archives? There's no doubt in my mind that the oral histories of working-class dykes and passing women will get far less serious consideration than those of famous artists and rich eccentrics. "A Personal History of Lesbian Porn." p.191 (a blog post of mine that touches on this)