Tagged with books

At first I thought this book, about a woman's mentor relationship with a homeless teen was a lot like Erlbaum's previous memoir, Girlbomb, which I read last year and mostly liked.

First of all I love that Allison published this 1994 collection of essays with Firebrand Books, a feminist and lesbian press, rather than a large publisher, which surely she could have, based on the success of Bastard out of Carolina, published by Dutton in 1992. Instead of using her success, even to have a better platform for her message to advance her career, she used it to advance her community, to give back to the press that gave her a platform in the first place, with her first book, Trash. (A chapbook of poetry preceded Trash.)

In novelist Rachlin's autobiography, she tells of her life through high school in Iran (1950s and 60s) and then of her building a new life in the United States. In the beginning I was afraid I wouldn't get through it because the early parts are so tinged with anger and resentment, even at family members she later forgives. At the age of nine she is stolen by her father from the childless aunt who was raising her in Tehran and brought to live with her birth family in far away Ahvaz. There she finds indifference from her mother, jealousy from one sister, and love from another. Her father, perhaps just because that's how it was in Iran, exercises near total control of her life. All she wants is to escape an arranged marriage, like those that oppress her sisters, and the chance to learn and write, in America. By the time she lands at a small women's college near St. Louis, the writing becomes less heavy-handed. She survives four troubled years there and graduates before escaping to New York City where she finds shelter at a Judson Church housing community and does graduate studies in psychology at the New School.

I liked this second installment to Armstrong's Women of the Otherworld series more than the first, which is kind of unusual for me, but I don't think for this type of series. I think a lot of them get stronger as the basics are laid out and the characters have time to develop. Like the first, this novel is narrated by werewolf Elena Michaels, the only female of her kind in existence.