Tagged with fiction

I've read the book's prequel Rivington Street but hadn't revisited Union Square since I bought it in a used bookstore in Guatemala in 2001. RS is a historical novel, but US reads more like a fictional history. It's full of educational examinations of Jewish life in the 1920s-40s, covering issues like Palestine, Zionism, World War II, communism, and labor politics, but also tells the stories through the lenses of art, fashion, and psychiatry. Tax used oral histories for her research, and the voices sound authentic. To me the most interesting and informative bits are the characters internal and external struggles with the party line and the multi-faceted views on the conflicting Zionist movements. The author does a good job of revealing multiple truths in these contentious topics, but you still have an idea where she's at personally. The sometimes disastrous relationship between the Communist Party and American labor, not to mention the difficulties it creates between father and daughter is sometimes painful to read, but fascinating stuff!

The third in See's mystery collection, featuring Chinese Ministry of Public Security Inspector Liu Hulan and her American spouse attorney David Spark, takes place at an archaeological dig. The Hulan is charged with solving some unexplained deaths (some of them pretty grisly, so be warned), and David with protecting China's artifacts from a greedy marketplace. There's a large cult-like religion for them to contend with as they set to their appointed tasks and also try to salvage their marriage, which took a major hit when their 3 1/2-year-old daughter died (between Dragon Bones and its predecessor The Interior.

I'll tell you off the bat that if you're looking for another Time Traveler's Wife, this ain't it. I'm not referring to the quality of the writing. You know what, actually I'm mystified by this book. It's the story of two sets of twins, one estranged and one symbiotic; and the residents of the building where three of the four twins lived or live. Pretty much no one in the story is sympathetic, and at least one of them is downright horrible. There's sort of a side story about a guy with debilitating OCD. Because I'm so baffled by a writer I previously so enjoyed, I'm choosing to believe that there are deeper meanings to everything that I'm just not getting. Otherwise, I just didn't care for this book. A fair amount.

I've read this novel about three artist sisters from South Carolina at least twice before. The first time I absolutely loved it, and the second time I was a little cooler. This time--probably 15 years after the last reading--I was in some ways reading a whole different book. Being in my teens and twenties for the first two readings, I was focused entirely on weaver Sassafrass, musician Indigo, and especially dancer Cypress. Now that I'm probably closer to mama Hilda Effania's age, I found her to be the most intriguing character.